- Written by Super User
One, colour problem is the central issue of oil painting
Oil painting is to use color to shape the image,Great Big Canvas color is the main means of expression of oil painting.
It is good to say that sketch is the foundation of form.
In oil painting, sketch is included in color, and object's body structure, light and shade level, spatial relationship and quality sense are all expressed through color.
Oil painting tools in the use of color,Big Canvas Art color performance has obvious advantages, rich performance.
At the same time to the color requirements are more strict, higher.
In watercolor paintings, proper use of water can often mask the inadequacy of color presentation.
The pink characteristic of the color of gouache makes the color bright, gorgeous, moist, but not easy to show rich middle tone and dark tone.
In oil painting, it mainly depends on the power of color itself. Color problem is very sensitive in oil painting, and the slight deficiency and error in color will soon be exposed.
The comrade that contacted a period of time water color, water powder learns again and oil painting, often such same experience: learn water color first, water powder learns oil painting again, on colour meeting still feels more laborious, not even correct so-called "water powder taste" (refer to picture color is thinner);
On the contrary, learn oil painting first and then learn watercolor, watercolor, mostly in the color problem is not very big, mainly is how to be familiar with tool performance.
This also explains the close relation of canvas and colour.
From the perspective of the history of oil painting, it is also a process in which the expression of color and its importance are constantly enriched and developed.
Today we are exposed to more systematic and scientific painting color sketching theory, can be said to be mainly in the practice of oil painting development and summary.
Therefore, it is generally accepted that color is a central issue in painting.
To learn oil painting is to focus on the study of the rules of color modeling, cultivate a keen sense of color,Large Canvas Art and master the correct observation, analysis and expression of color scientific methods.
2. Three development stages of oil painting color
The role of color in oil painting and expression methods, there is a process of continuous development.
If large sum is made, it can be divided into the following three major stages.
From the beginning of Renaissance oil painting to the advent of impressionist painting in the 19th century, generally speaking, oil color is still in the position of being subordinate to sketch.
The color of oil painting is basically based on the inherent color and light and shade relationship of the object. When presenting the color of the object's light and dark, subject to light and shadow, it is basically the change relationship of light and shade and black and white. The whole color of the picture is unified in a certain sketch relationship.
This period of oil painting is mainly transparent painting.
Transparent painting is the first focus on the shape and light, and then to solve the color of a painting.
For example, the color of the face and hands of the characters in leonardo Da Vinci's "Mona Lisa" is very delicate and soft, but the expression method is obviously rich color gradations of light and dark.
The 17th century Flemish great painter Rubens is a famous color master, its work gives the human with the warm and colorful, the palatial sense.
He has rich color imagination, pay attention to the contrast processing of tonal and big color piece, but generally speaking he still USES sketch relation to control, control colour, it is to use light and shade relation to unify colour.
In the landscape painting of this period, this kind of color belongs to sketch, to show the inherent color and the light and shade primarily the characteristic, the performance is more obvious.
Renaissance landscape painting, although the preliminary use of color changes to show the space level of landscape, painted foreground with warm brown, middle landscape with brown green, vision with cold green gray.
However, this is almost a kind of program, which is mainly used in the light and shade relation -- close shot light and shade contrast is strong, gradually decreasing to the gray of the distant view.
This approach has been followed.
Such landscape painting looks almost monochrome sketch today, the whole color appears dark, dull and false, obviously exposed to the light of the relationship and Yang xiao under the scene of brilliant color powerless.
Of course this is not a total negation of this period of oil painting, this is from the development of oil painting color.
This kind of oil painting method also has its own characteristics. It also has strong expressive force in presenting the object's body, light and shade, space and quality sense, as well as in organizing color block contrast.
And, form style also is a variety of diversiform, be not a look, changeless.
Four hundred to appear a lot of colour masters, from the Italian Renaissance Venetian titian, to 17th century Rubens and Rembrandt, diego velazquez to 18th century goya and 19th century romantic Lord delacroix, etc., the performance of the oil painting color method, and the importance of colour in painting and expressive force, is growing, constantly improve, in the middle of the nineteenth century painting color to breakthrough laid a solid foundation.
- Written by Super User
For contemporary family, The living room decors can stating is very important a part, each person hopes his room is more fashionable, more sweet, metope add on appears essential in this particular link, because it is usually the area that gives the person the most intuitionistic in integral feeling.
The objective of wall decoration is in order to protect the wall plus beautify the indoor atmosphere.
How to deal with good metope add on When carrying out metope adornment, understand detailed movement can let construction more simple, more economy materials.
First of all, the particular site should be measured, there is a whole concept, and then in accordance with the results of the measurement associated with the overall type of the particular wall, out of the particular design program.
The third step is to choose metope adornment material in line with the program that designs, final hyperlink is construction, in every link, hold to essential style is very important.
The important that chooses appropriate material is metope add on Along with the enhancing of the particular perceptions, metope adornment materials also has the trend of diversification, metope adornment materials on building materials marketplace at present basically provides wood coatings, stone dish, wallpaper, ceramic, glass, metals, etc., each type of material adornment metope might have different effect, and each type of material is also have got their own advantages, therefore in the sign associated with decoration, want to select according to his end up being attached to.
Hold the living room decors will be the important principle of metope adornment
This entire style refers to the particular integral type of the design, metope, in the end, as a part of the area on metope adornment, need to fully think about the their very own domestic outfit style, is modern-day and contracted, or
European style, based on these types of to determine the metope adornment material and color, in an attempt to achieve the goal of harmonious and single.Overall speaking, metope adornment is a very important project, decorate to the particular family for, to metope processing should give bigger concern, let a loved ones become fashionable, sweet, romantic.
- Written by Super User
In a preppy and modern Nantucket home brimming with reclaimed and reused materials, the driftwood mantel in the family room stands out. The property owners found this reclaimed item of black walnut from the river log in the particular Mississippi River. The wooden was cleaned with compressed air and a smooth brush to remove any cobwebs or mud.
While the particular construction requires some ability, finding a piece associated with wood that would match in this area has been just as much associated with a challenge. "Finding the particular right size and design of the wood was a little difficult, " affirms Chris Komenda of Woodmeister Master Builders. "But for all of us, that's part of the fun of reusing something unique and reclaimed. "
Our other favorite component about this room within this National Green Constructing Standard Gold-certified home: The beautiful fireplace surround created from pieces of petrified wooden. Woodmeister Master Builders obtained this unique piece through Cumar Marble and Granite within Everett, Mass.
Then three or more custom 3/8” metal discs were welded to the 3/4” steel dowel. The particular plates were screwed into the wall stud and covered with Venetian plaster, leaving the dowels sticking out. Three matching openings were drilled into the particular driftwood, and a silicon insert was used in order to attach the driftwood in order to the dowels. Because of this, the particular mantel appears to nearly float off of the particular wall.
- Written by Super User
Simple concrete And Living Room Decor looks uncharacteristic, but in the designer's pen, it can have such a personality! A two-storey attic house is troubled by the fact that it can only use half the area. Designers use a lot of concrete and white colors to make it comfortable, comfortable, and full of life.
The first floor is the living room and kitchen area, with a clear line of simple black and white colors, creating a refreshing and simple atmosphere, green planting, candlesticks, pillows,Living Room Decor these decorations make the space rich and interesting. The designer uses a lot of concrete and white colors to make it comfortable. It's full of life. Is it very special to use concrete as a dining table? The walls are not too much decoration, but with the blackboard paint to create a primitive, rustic atmosphere. The long shaped lockers can solve the storage problem well and hide the household debris in the invisible.
The two-storey space pattern is not correct and the space is narrow. The designer makes full use of the space and puts the bed in bed and the writing desk one by one. The indispensable concrete element is still the bright spot of the design. The indispensable concrete element is still the bright spot of the design. Black color bathroom slow personality, Mosaic small square brick to make the space full of tension. Use a simple black and white tone with clear boundaries to create a refreshing and simple atmosphere. The concrete steps lead to the attic area on the second floor. Designers try to use simple and original materials to make the entire space more harmonious and natural.
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